Dr. Mahmoud Khalif Khudair Al-Hayani*
Assistant Professor, Northern Technical University, Iraq
Special Issue: Arabic Poetry Research | Pages: 297-307 | September 2024 | https://doi.org/10.54940/ll62995166 | PDF
*Corresponding author: [email protected]
Abstract
The transformation that took place in the transformation of literature from a paper medium to an electronic medium, or what is called digital literature, was not a transgression of the origins or the nature of literature only, but this advanced shift brought about fundamental changes and effects in the form and content, as digital literature is one of the literary genres that cannot be To operate away from cross-fertilization and overlap with other artistic genres that took from the dynamic side a state embodied in the moving image or painting and music, which gave it a kinetic dimension, and a state of impulse and flow in the poetic movement and diversity, which formed an aesthetic paradox that the recipient responds to it, the influence aspect played a major role in digital literature; Because it searches for a recipient to interact with, which represents the advertising, persuasive and graphic aspect that combines various audio and visual senses, which the research tries to reveal by sorting the most important of these races that accompanied the complex transformation of literature from the written blog to the electronic blog, and its openness to genders, which we can see in the poem (that of Abandonment by) Souad Aoun.
Keywords
Dialogue, Digital Literature, Carnival, Patterns, Aesthetics.
How to Cite
1. Al-Hayani M. The Overlap of Genres and Carnival Aesthetics in Digital Literature. The Interactive Poem (Who Said...???) by Souad Aoun as an Example. Journal of Umm Al-Qura University for Language Sciences and Literature.Special Issue: Arabic Poetry Research, 2024 September; 297–307. doi:https://doi.org/10.54940/ll62995166